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World Cinema
Fall 2006
       
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Friday, September 22 – 7 & 9pm
Saturday, September 23 – 5 & 9pm
Sunday, September 24 – 7pm
Look Both Ways
* Milwaukee Premiere
Look Both Ways is the first feature written and directed by Sarah Watt, an acclaimed creator of animated shorts. Mixing animation and live action, Look Both Ways follows the misadventures of Meryl, a woman who sees disaster everywhere. One day Meryl is witness to a real accident that connects her to the lives of others affected by the tragedy, among them Nick, a photographer emotionally inhibited by his own fears. As Meryl and Nick tentatively attempt to connect, their story is shot through with humor, whimsical insight and compassion.
“[P]oetic and unforgiving, romantic and stark.” -Roger Ebert CHICAGO SUN TIMES (Sarah Watts, Australia , 100 min., 35mm 2006)
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Saturday, September 23 – 7pm – Free Screenings
Sunday, September 24 – 5pm
Animation of Suzan Pitt
Asparagus , a candy colored nightmare of stunning cel animation propels its blank-faced protagonist into the world of the phallus, rendered here as a field of asparagus. The film meditates on art and the cost of reproduction. Joy Street is an ambitious, astonishing story of a woman's journey from suicidal despair to personal renewal, with the help of an unlikely spirit guide. Pitt's latest film El Doctor revolves around a bitter, ailing, alcoholic doctor in Mexico who fails to find hope for a patient with holes throughout his body letting him die.
(Suzan Pitt, total run time 67min., 35mm, 1979 – 2005)
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Friday, September 29 – 7pm
Saturday, September 30 – 4 & 9:30pm
Sunday, October 1 – 7pm
The Death of Mr. Lazarescu
(Moartea Domnului Lazarescu)
* Milwaukee Premiere
Aging Mr. Lazarescu lives alone with three cats. Feeling ill one night, he calls an ambulance to take him to the hospital. After a long wait and a visit to his neighbors, the ambulance finally arrives to take him on a tragic-comic odyssey. Taken from one hospital to another and given various contradictory diagnoses, treatment is incessantly delayed and Mr. Lazarescu descends deeper into the Bucharest night. The film slowly envelops the viewer into its matter-of-fact look at the end of a lonely man's existence.
“ [T]he Romanian film "The Death of Mr. Lazarescu" is a rich, strange and weirdly gratifying odyssey.” – Michael Phillips CHICAGO TRIBUNE (Cristi Puiu, Romanian w/ Eng. St. , 150 mins., 35mm, 2005)
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Friday, September 29 – 10pm
Saturday, September 30 – 7pm
Sunday, October 1 – 4pm
4
* Milwaukee Premiere
An apocalyptic journey through the dark heart of the new Russia . Three strangers meet in a Moscow bar one late night and spin fantastic stories, all of them lies. They depart and journey their separate ways through a landscape filled with decaying meat, wild dogs, ravenous crones, cloned piglets, and modern industrial horrors. A completely unique and disturbing film.
"The stark surreal images evoke a mixture of terror and absurdity that comes as close to the experience of an actual nightmare as anything I've seen on the screen." - Stephen Holden , NEW YORK TIMES
(Ilya Khrzhanovsky, 128 mins., Russia , Russian w/ Eng. St. , 35mm, 2005)
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Friday, October 6 – 7pm
Saturday, October 7 – 5 & 9pm
Sunday, October 8 – 5 & 7pm
The Piano Tuner of Earthquakes
* Milwaukee Premiere
The Piano Tuner of Earthquakes is the breathtakingly beautiful and long-awaited second feature from the Brothers Quay. On the eve of her wedding, the beautiful opera singer Malvina is mysteriously killed and abducted by a malevolent Dr. Droz. Felisberto. An innocent piano tuner, Felisberto is summoned to Droz's secluded villa to service his strange musical automatons. Little by little Felisberto learns of the doctor's plans to stage a “diabolical opera” with Malvina. He secretly conspires to rescue her, only to become trapped himself in Droz's web.
(Stephen and Timothy Quay, 99 mins., 35mm, 2005)
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Friday, October 6 – 9pm – Free Screening
Institute Benjamenta
The Quays' first live-action feature combines the fantastic, the mystical and the fairytale in a beautiful black-and-white reverie. A student at a boarding school for servants—a dilapidated, moribund institution whose curriculum constitutes the endless repetition of one single lesson—watches the slow disintegration of the Institute at the hands of its eccentric sibling proprietors.
(The Brothers Quay, 105 mins., 35mm, 1996)
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Saturday, October 7 – 7pm – Free Screening
A Cabinet of Dust and Dreams: Brothers Quay Short Films
This program features some of the Brothers Quay's best known and most influential shorts including Streets of Crocodiles , The Comb , Rehearsals for Extinct Anatomies and Nocturna Artificiala .
“ [ T]he unidentified dreamer's walk describes virtually all of their animations and live action cinema; for each is like a slow journey through the dream counties, a brief excursion into the realms of symbolic construction and myth.” – James Rose SENSES OF CINEMA
(The Brothers Quay, 16mm & 35mm 1979 – 2000)
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Friday, October 20 – 7pm – Free Screening Pitfall (Otishiana)
*New 35mm Print For Teshigahara's first feature film he adapted experimental fiction writer Kobo Abe's story of a poor mining town. Revolving around a series of mysterious murders by a man dressed in a spotless white suit, Teshigahara mixes stark realism with fantastical elements. Throughout the film, ghosts of the victims appear like a Greek chorus to question the point of their lives and deaths. Exploring states of consciousness and the subjectivity of reality, this psychological nightmare brought Teshigahara's film work international attention and introduced themes and techniques recurring in many of his films.
(Hiroshi Teshigahara, Japan, Japanese w/ Eng. St., 97 min., 35mm, 1962)
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 Friday, October 20 – 9pm – Free Screenings
Saturday, October 21 – 7pm
Sunday, October 22 – 4pm
Woman in the Dunes
(Suna no onna)
*New 35mm Print The events of this film are put into motion when a vacationing teacher misses the last train of the day. Accepting shelter at a the house of a young widow, he finds himself trapped with her at the base of a sand pit and forced to continuously help her shovel sand away from town. Like the myth of Sisyphus the purpose of their duty raises existential questions for the traveling teacher. Based on a novel by Kobo Abe, Teshigahara creates such detailed textures of sand and flesh in the film they seem tangible.
``'Woman in the Dunes' retains its power because it is a perfect union of subject, style and idea.” – Roger Ebert CHICAGO SUN TIMES (Hiroshi Teshigahara, Japan, Japanese w/ Eng. St., 147 min., 35mm, 1964)
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 Saturday, October 21 – 5pm – Free Screenings
Sunday, October 22 – 7pm
Antonio Gaudí
*New 35mm Print Teshigahara travels Spain to document the architectural works of Antonio Gaudí the legendary Catalan architect who sensually combined Gothic, Middle Eastern, and traditional architecture into his own unique style. Immersing the viewer into Gaudi's unorthodox vision, Teshigahara uses lingering takes and mesmerizing panning sequences, accompanied by an equally eclectic soundtrack that vacillates from lyrical symphony to disquieting near silence.
“[T]eshigahara lets the buildings speak for themselves, stepping aside to let us gaze in slack-jawed amazement—it's nothing short of thrillling.” – LA WEEKLY (Hiroshi Teshigahara, Spanish w/ Eng. St., 72 min., 1984)
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 Saturday, October 21 – 9pm – Free Screening
Face of Another
*New 35mm Print Horribly disfigured in an accident, Okuyama's face is covered in bandages and his wife can no longer look at him. He finally resolves to use an experimental treatment giving him a whole new face. Feeling freed of personal and professional attachments by this new anonymity he creates a new life for himself. Based on an Abe novel, this film contains elements of Frankenstein-like mythology and explores the repercussions of lost identity.
(Hiroshi Teshigahara, Japan, Japanese w/ Eng. St., 124 min., 35mm, 1966)
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Friday October 27 – 7pm & 9pm
Saturday October 28 – 5pm, 7pm, & 9pm
Sunday October 29 – 5pm, 7pm
The Bridesmaid
It is love at first sight when bridesmaid Senta meets handsome young Philippe at his younger sister's wedding. Though their passion for each other is obvious, Philippe soon discovers that Senta's life is shrouded in mystery and her stories surrounding her past anything but believable. When she asks Philippe for a terrible proof of his love, he must come to terms with who his lover might really be.
“A slyly enjoyable thriller with echoes of Hitchcock...quietly menacing...Smet delivers an impressive performance, suggesting her character's seductive sensuality and sinister stillness....Chabrol's perverse humour is still very much intact.” -BBC
(Claude Chabrol, France in French w/ Eng. St. , 2004, 35mm, 110 minutes)
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Special Halloween Screening!
Tuesday, October 31 – 7pm – Free Screening – One Show Only!
Live Freaky! Die Freaky!
It is the year 3069 and the Earth has been robbed of all its natural resources, destroyed by war and ozone depletion, and is now only a barren desert. Nomadic tribes scour the desolate land in search of food. One particular nomad finds something else entirely: the book Helter Skelter , quickly adopted as divine law in the nomad's soon to be doomed society. This musical comedy employs stop-motion animation with the voices of Asia Argento and Billie Joe Armstrong.
(John Roecker, US, video, 80 min., 2005)
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Friday, November 3 – 7 & 9pm
Saturday, November 4 – 5, 7 & 9pm
Sunday, November 5 – 5 & 7pm
Woman is the Future of Man
* Milwaukee Premiere
As the first snow falls on Seoul , childhood friends, Hunjoon and Munho reunite over food and drinks at a local noodle shop. Chatting about the years gone by, the drinks pour and their musing inevitably evokes the beautiful Sunhwa who Hunjoon abandoned when he went to America . Unbeknownst to him, Sunhwa later found comfort with Munho. Soon Hunjoon decides they should track down the woman they both loved. Playing with linearity and structure, the film reveals these past relationships as if in parallel to the present.
“ [M]emory, desire and raw self-interest clash against one another with startling poignancy.” – Manohla Dargis NEW YORK TIMES
(Hong Sangsoo, Korea, in Korean w/ Eng. St., 35mm, 88 min., 2004)
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Thursday, November 9 – 7pm – Free Screening
Mystery Science 3000: The Movie
Discussion and Q&A with writer Mike Nelson
Mystery Science Theater 3000: The Movie is the big screen debut of the cult TV comedy. Trapped in space and forced to watch truly awful films, Mike and his robot pals (Crow and Tom Servo) try to make the best of it by providing ongoing quips and jokes at the movies expense. In this particular adventure, Mike and the bots riff and mock their way through the 1950's “classic” sci-fi film “This Island Earth”. Bad movies have never been so good. Co-sponsored by The Mystery Science Theater 3000 Club at UWM and CAB.
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Friday, November 10 – 7 & 9pm
Saturday, November 11 – 5, 7, & 9pm
Sunday, November 12 – 5 & 7pm
La Moustache
* Milwaukee Premiere
One evening Marc decides on a whim to shave off the mustache he's worn all of his adult life. He waits patiently for his wife's reaction, but neither she nor his friends seem to notice. Stranger still, when he finally tells them, they all insist he never had a mustache. Is it madness or conspiracy? Adapted from his own novel, Carrère has crafted an engrossing existential thriller, a story about a man who inadvertently loses himself .
“Carrere captures the small fissures that lurk in even the best relationships, both marital and professional… a keen glimpse into a marriage that appears perfect on the surface but when examined shows its deficiencies.” – Duane Byrge HOLLYWOOD REPORTER
(Emmanuel Carrère, France, French/English/Cantonese w/ Eng. St., 35mm, 86min., 2005)
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Special Screening!
Monday, November 13 – 7pm – Free Screening
King of Masks
Wu Tianming will be present for the screening and discussion along with filmmaker Luo Xueying.
Set in 1930's Sichuan , this touching, exquisite tale combines theatrical flamboyance and evocative settings in which a traveling magician adopts a boy disciple who turns out to be a girl. Director Wu Tianming is a major influence on “Fifth Generation” filmmakers such as Zhang Yimou. Co-sponsored by Center for International Studies, The Department of Comparative Literature and Film, and The ChinaFilm Project & The BlackFilm Project.
(Wu Tianming, China, Mandarin w/ Eng. St., 101 min., 1999)
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Friday, November 17 – 7 & 9pm
Saturday, November 18 - 5, 7, & 9pm
Sunday, November 19 – 5 & 7pm
Fallen Idol
*New 35mm Print
Filmed between Odd Man Out and The Third Man and long unavailable to the public. 8-year-old Phil is left with the butler, Baines who he idolizes, while his parents take a weekend trip. This thrilling story of moral ambiguity revolves around Baines' unhappy marriage and interest in another woman, seen from Phil's perspective. The gap between what the child sees and understands of the adult relationships provides the tension and suspense aided by the use of disconcerting camera angles.
"This is an example of a writer and director working in perfect harness, with Reed smoothly ratcheting up the story's suspense and Greene speculating on his cardinal theme of moral ambiguity." – Ann Hornaday WASHINGTON POST.
(Carol Reed, UK, 35mm, 95min., 1948)
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Special Screening!
Monday, November 20 – 7pm – Free Screening
Pandora's Box
*New 35mm Print
G.W. Pabst's scintillating silent masterpiece is re-released on a new 35mm print in commemoration of the centennial of legendary icon Louise Brooks. As the manipulative, destructive, yet magnetic demimondaine Lulu, Brooks created a landmark sexual persona so subtly charged that today's audiences are still electrified. Based on plays by German writer Franz Wedekind.
“A TOUR-DE-FORCE OF CINEMATIC EROTICISM! Capable of inspiring some critics to babbling gush — and reducing others to awed silence... Brooks's performance as Lulu retains a vitality, a live physical and affective presence, that has rarely, if ever, been matched on screen.” – A.O. Scott, NEW YORK TIMES
(G.W. Pabst, Germany, Silent w/ live musical accompaniment, 110 min., 1929)
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Tuesday – Sunday, November 28 – December 3
Alchemist of the Surreal: A Jan Švankmajer Retrospective
One of the great Czech filmmakers, Jan Švankmajer first encountered film at the Laterna Magika Puppet Theatre. Making films since 1964, he continues creating some of the most memorable and unique animated films ever made. His work has influenced filmmakers from Tim Burton to The Brothers Quay. Often mixing stop-motion animation with live-action and puppeteering, Švankmajer's vision remains as strikingly surreal and uncannily inventive as ever.
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Tuesday, November 28 – 7pm – Free Screening
Švankmajer Shorts
( Jan Švankmajer, Czech Republic, TRT 101 min., 16 & 35mm, 1964 – 1988)
The Last Trick (1964) Švankmajer's first film shows two magicians dueling to top each other with theatrics. In Don Shayn (1970) an adaptation of the Don Juan story, Švankmajer mixes wooden puppets with live actors dressed as puppets to bring the old tale to life. Dimensions of Dialogue (1982) features Archimboldo-esque animations interacting on the premise of domestic situations. Also included: J.S. Bach: Fantasia in G Minor (1965) , Punch and Judy (1966) , Leonardo's Diary (1972) , and Virile Games (1988)
( Jan Švankmajer, Czech Republic, TRT 101 min., 16 & 35mm, 1964 – 1988)
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Wednesday, November 29 – 7pm – Free Screening
Alice
Švankmajer's first feature film a characteristically witty and subversive adaptation of Alice in Wonderland which dives into the story's dark psychological dimensions. Cutting away to close-ups of her lips, Alice narrates her adventure and voices all the characters. Seamlessly combining live action with toy objects and animation, Svankmajer creates a surreal dream world unlike any other presented on film.
(Jan Švankmajer, Czech Republic/Switzerland/UK/West Germany, 35mm, 84 min, 1989)
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Thursday, November 30 – 7pm – Free Screening
Little Otik
(Otesánek)
Svankmajer brings a famous Czech legend eerily to life in this darkly hilarious cautionary tale. Karel digs up a tree root and whittles something vaguely resembling a human baby. His wife's maternal longings transform it into a living creature with a literally monstrous appetite. Svankmajer brilliantly mixes his wicked humor with his subversive politics and love of mythology into a stunning live-action fable for our times.
"A handmade dream, cobbled together from dirt, wood and more imagination than most of us can muster in our most fevered states." – NEW YORK TIMES
(Jan Švankmajer, Czech Republic/ UK, Czech w/ Eng. St., 35mm, 127 min., 2000)
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Friday, December 1 – 9pm – Free Screening
Conspirators of Pleasure
(Spiklenci slasti)
Modern-day Prague is the setting for this story of six ordinary, if somewhat seedy, individuals who concoct an orgasmic meal with the aid of the most eclectic array of objects, animals, devices and processes. As their solitary paths crisscross, Svankmajer condenses the sexual, the social and the political in a society still breaking the habits of a sexually puritanical past. The detailed constructions and modellings of forms and infernal machines are akin to the very act of animation itself. Svankmajer relates it all with mischievous misanthropy and a brilliant array of special effects and animation techniques.
(Jan Švankmajer, Czech Republic/Switerland/UK, 35mm, 83 min., 1996)
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Saturday, December 2 – 7pm – Free Screening
Faust
(Lekce Faust)
Svankmajer's Faust is an ordinary, inquisitive Everyman who, upon exiting a Prague subway station, is handed a map that draws him to his doom. Led to an abandoned theater he finds a copy of Goethe's Faust and reads aloud unwittingly summoning a doppelgänger Mephistopheles who offers him his heart's desires for his soul. Peopled with shape-changing demons and puppet-versions of Goethe's characters, Svankmajer's tour-de-force is hilarious and shocking, and utterly unforgettable.
(Jan Švankmajer, Czech Republic/UK, English, 35mm, 97 min., 1994)
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Friday, December 1 – 7pm
Saturday, December 2 – 5 & 9pm
Sunday, December 3 – 5 & 7pm
Lunacy
The latest provocation from Jan Svankmajer is loosely based on two short stories by Edgar Allen Poe and inspired by the works of the Marquis de Sade. In nineteenth-century France a young man is plagued by nightmares in which he is dragged off to a madhouse. Journeying back from his mother's funeral he is invited by a Marquis to spend the night in his castle resulting in a surrealistic trip to a lunatic asylum where the patients have complete freedom and the staff is locked up.
“This excellent jolt of blasphemy interrupts its gothic narrative to spy on the animated antics of raw meat, severed tongues, and autonomous eyeballs.” - Nathan Lee, THE NEW YORK SUN
(Jan Švankmajer, Czech Republic/Slovakia, Czech w/ Eng. St., 35mm, 118 min., 2006)
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Tuesday – Sunday, December 5 – 6, 8 – 10
The Word and the Image: A Peter Whitehead Retrospective
Legendary filmmaker, author, lover of some of the world's great beauties, and falconer to Arab princes, Peter Whitehead was at the heart of Swinging London and the counter culture of the 1960s. Whitehead's films stand as an unrivaled document of the era. The first ever American retrospective of Peter Whitehead's work marks the 40th anniversary of his career in film.
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Tuesday, December 5 – 7pm – Free Screening
Time Capsules: Peter Whitehead Shorts
In The Perception of Life biological ideas expand as technology improves. Filmed through microscopes scientists used from the 17th to the 20th centuries. Wholly Communion effectively launched Whitehead's career, capturing the historic event at the Royal Albert Hall where American and English Beat poets first met. Among the performers featured are Allen Ginsberg, Lawrence Ferlinghetti, and Gregory Corso. Finally in Benefit of a Doubt Peter Brook directs the Royal Shakespeare Company in US, a semi-improvised work protesting England 's unseen and unacknowledged role in the Vietnam War.
(Peter Whitehead, UK, video, TRT 128 min., 1964 – 1967)
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50 Years of Music Movies
Wednesday, December 6 – 7pm – Free Screenings
Saturday, December 9 – 9pm
Peter Whitehead: Pop Films
Whitehead's work with The Dubliners, The Small Faces and, above all, The Rolling Stones was the very inception of the artful, experimental and daring pop promo. This program includes the films Whitehead made with The Jimi Hendrix Experience, Nico, The Stones, Pink Floyd with Syd Barrett performing live and in the studio, and some rare surprises from the director's extensive archive.
(Peter Whitehead, UK, video, 120 min., 1966 – 1969)
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Friday, December 8 – 7pm – Free Screenings
Sunday, December 10 – 5pm
The Fall
The Fall is an extraordinary piece of filmmaking, an extremely personal statement on violence, revolution and the turbulence within late sixties America . Whitehead captured the mood on the streets of New York in the immediate aftermath of Martin Luther King Jr.'s assassination and spent several days inside the occupied buildings of Columbia University with subsequent mayhem and violence. Filmed entirely in and around New York between October 1967 and June 1968, it features Robert Kennedy, Paul Auster, Tom Hayden, Arthur Miller, Robert Lowell, Robert Rauschenberg and The Deconstructivists.
(Peter Whitehead, UK, video, 120min., 1969)
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Friday, December 8 – 9pm – Free Screening
Daddy
What began as a documentary about French sculptress Niki de St Phalle finished up as a fantasy about a woman's attempts to exorcise the influence of her sexually domineering father. Alternately gothic and surreal, de Saint Phalle and Mia Martin are the two protagonists in a kind of ‘Let's Get Daddy' charade, acting out their fantasies on the poor unfortunate patriarch, as played by Rainer Diez.
(Peter Whitehead, UK, video, 90 min., 1973)
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Saturday, December 9 – 5pm – Free Screening
Fire in the Water
In this alchemical allegory, a filmmaker reviews his brief movie career in the highlands of Scotland while his girlfriend explores the countryside alone. With Nathalie Delon, The Animals, The Rolling Stones, The Who, Jimi Hendrix, David Hockney and John Lennon.
(Peter Whitehead, UK, video, 90 min., 1977)
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Saturday, December 9 – 7pm – Free Screening
Tonite Let's All Make Love in London w/ Nothing to Do with Me
One of the few filmmakers trusted by the 60s rock illuminati, Whitehead was allowed unparalleled access into the center of the pop circle. With contributions from the likes of Mick Jagger, Michael Caine, Julie Christie, Lee Marvin and David Hockney, Tonite presents a dazzling and intimate record from the very core of the ‘in-crowd.' “Not a documentary in any ordinary sense,” said Variety, “but rather an impression-istic view of the ‘land of mod' as seen by a sympathetic participant.” Shown with Nothing To Do With Me ; after returning from the United States to shoot The Fall , Whitehead philosophizes in this remarkable autobiographical document.
(Peter Whitehead, UK, video, TRT 100 min., 1967 & 1968)
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Sunday, December 10 – 7pm – Free Screening
In the Beginning was the Image: A Conversation w/ Peter Whitehead
A newly filmed interview with Whitehead, including clips from his films and television appearances, and a wealth of still images exploring his work and life as a filmmaker.
(Paul Cronin, 90 min., 2006)
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Friday, December 15 – 7pm
UWM Student Film and Video Festival
A juried showcase of the best short films and videos from the students of the pioneering UWM Film Department. Followed by an exhibit of photography work.
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Saturday, December 16 – 7pm
Senior Projects Screening
A special evening showcasing the films and videos completed by the UWM Department of Film's graduating seniors.
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